So, a big hand and supportive cheer for Kristan, our first intrepid querier.
(For non-writer readers, a query is the letter that you write about your book to try and get an agent to read it so that they'll want to represent it. Unless you go with a small publisher, you really can't get your stuff read without an agent. Agents do many other things as well, such as encouraging addictions to Tootsie Rolls and listening to your crazy ramblings on the phone so you can figure out how to fix the problems with your newest manuscript. Agents are wonderful.)
With no further ado:
Dear Ms. Agent,
I am seeking representation for my episodic chick lit novel TWENTY-SOMEWHERE. This unconventional manuscript recently won a contest with St. Martin’s Press, and the full is being considered for publication by editor Dan Weiss.
I am seeking representation for my episodic chick lit novel TWENTY-SOMEWHERE. This unconventional manuscript recently won a contest with St. Martin’s Press, and the full is being considered for publication by editor Dan Weiss.
Okay, I think this is good. You have editor interest--it's not the same as if an editor has made an offer, but it shows the agent that there's something there an actual editor wanted to see more of. So definitely worth mentioning. I'm not sure about the phrase "episodic chick lit," though. "Episodic" combined with "unconventional" makes it sound almost like you're making excuses for your manuscript. I'd take out "unconventional" entirely, and would probably remove "episodic" as well, since it isn't necessary.
Originally written for the web, TWENTY-SOMEWHERE tells the story of three best friends as they navigate life after college. Beautiful and confident Sophie, goody goody aspiring writer Claudia, and boy-crazy nerd MJ are ready to take on the Real World — or so they think. But as relationships go sour, careers sputter, and ethical dilemmas arise, the girls must turn to the one thing they can always count on: their friendship with each other. And even that may not stand up to the test.
Originally written for the web, TWENTY-SOMEWHERE tells the story of three best friends as they navigate life after college. Beautiful and confident Sophie, goody goody aspiring writer Claudia, and boy-crazy nerd MJ are ready to take on the Real World — or so they think. But as relationships go sour, careers sputter, and ethical dilemmas arise, the girls must turn to the one thing they can always count on: their friendship with each other. And even that may not stand up to the test.
First things first, take out "Originally written for the web." It doesn't do anything to spark interest, and may make an agent wary that TWENTY-SOMEWHERE has already been published online. Also, Real World in caps gave me pause--are you talking about the reality show? I don't think you are, but you might want to remove the caps. I understand what you were trying to do stylistically, and it would work if it weren't for that stupid, stupid show.
And here's where we get to the real issue with Kristan's query. It's snappy, it's clearly written, and the writing is all good--but it doesn't tell us anything about the book. We've got three main characters, and I like their descriptions, but everything else is just generalities about what happens next. In order to hook an agent, we need specifics. We need a reason to care about these three girls and whether or not their friendship lasts.
I know you worry about going too long in a query, but this is a perfect example of one that needs more. In general, keep your query between 250-350 words. Kristan, you've got a lot of wiggle room here. I want to see details--I want to see plot! You've proven you can write a short, coherent query. Now give us some actual details so that we can see you can write an interesting novel along with a short query.
In 2007 I graduated from Carnegie Mellon University with a B.A. in Creative Writing, and I’m now a copywriter/receptionist at a design firm in Cincinnati. I also attended the Kenyon Review Writers Workshop last June.
In 2007 I graduated from Carnegie Mellon University with a B.A. in Creative Writing, and I’m now a copywriter/receptionist at a design firm in Cincinnati. I also attended the Kenyon Review Writers Workshop last June.
Good. A Creative Writing degree isn't a must (for anyone who's panicking, you don't have to say anything about a degree or lack thereof), but it certainly helps. And if you don't have any publications, what Kristan did is great--she's showing that she's committed enough to writing to pay for and attend writing workshops.
If you’re interested, I would be happy to send you either a partial or the full manuscript of TWENTY-SOMEWHERE. Thank you so much for your time and consideration. I look forward to hearing from you.
With warm regards,
Kristan
If you’re interested, I would be happy to send you either a partial or the full manuscript of TWENTY-SOMEWHERE. Thank you so much for your time and consideration. I look forward to hearing from you.
With warm regards,
Kristan
So, to sum up: Kristan's writing is grammatically correct and reads great. It's professional, it's clear she's done her research, and it's clear she knows how to write. She's well on her way to an excellent query. We just need more! Make your story stand out and grab an agent's attention. You have 250-350 words. Use as many as you can--don't sacrifice details that will make us care in the name of brevity. Your plot should be boiled down to its essence, but that essence still needs flavor!
Wow. That was, like, the cheesiest analogy ever. I should do this professionally.
Thank you to Kristan for being such a good sport. I wouldn't have used her query if I didn't think it's already good and can be great!
32 comments:
Kristan, Natalie Whipple made the point that "chick lit" can turn some agents off, and you might be safter using "women's fiction." Just don't use fiction and novel in the same description : )
Kiersten, first of all: THANK YOU!!!!
Second, haha, you are so right. I AM making apologies for my ms, because I AM worried about it's unconventional...iality. (SO a word. :P) I guess I don't want any agents to think I'm deceiving them if they read a few pages and realize they're episodes but I never mentioned that. But you're right: I've over-done it. Delete delete delete!
And to Natalie's point, yes, "chick lit" is apparently dead. Only a few of the queries I sent out used "chick lit" -- the rest said, "commercial women's fiction" or just "women's fiction." I'll definitely go back to that (unless an agent specifies they're still open to chick lit? then is it okay? that's what I wasn't sure of...).
As for glossing over what actually happens... yeah, guilty as charged. That paragraph is the pitch I sent to St. Martin's that got them interested in the first place, so I guess I figured it would work here too. But you're right, it doesn't. Off I go to elaborate...
Again, thank you thank you thank you! I really appreciate your kind words, and your helpful analysis.
Alright agents, watch out! Another round is going out!
A lot of good advice on querying going around. I need it! Great post!
Nice job, both of you.
I think commercial women's fiction is better, even if an agent says she accepts chick lit because you never know if it might just be that she still hasn't figured out how to update her website herself and doesn't want to ask her brother-in-law since he just got engaged but it could be that she likes chick lit too.
That's a suspiciously specific scenario, Michelle...
LOL thanks for that insight, Michelle. I'll stick with "commercial women's fiction" then. And maybe I'll put in a new PS:
"PS: I am a web whiz, and should you choose to take me on as a client, I will happily help you update your website!"
I have no idea what you're talking about, Kiersten.
But seriously, Kristan, I think you're better off in general with a categorization of commercial women's fiction.
Oh what a brave, brave, brave (did I mention brave?) soul you are Kristan :) Way to go! Now just imagine - with all this great advice - all you need is ONE agent to like it :) Preferably one who can read between the lines and realize commercial women's fiction is really chick lit and a snappy one at that!
I love it when the comments are just about as great as the post! Thanks all around.
Good luck, Kristan! Your description reminded me a bit of the Traveling Pants series. You might want to focus on what makes your story unique so that agents don't think you're trying to tell the same story.
Haha, thanks Steena. If I didn't love and trust Kiersten so much, it would have been positively terrifying! Since I *do* love and trust her, it was only mildly nerve-wrecking. :P
Thanks, Myrna! I have never read or seen Traveling Pants, but I am vaguely aware of the similarities. (Thank you, Wikipedia! Hehehe.) Actually if someone asks me, I do describe it as "Sex and the City meets Sisterhood of the Traveling Pants," but I didn't think that should probably go in my query. ;)
Kristan, thanks so much for sharing with us! :D Your query is already so well-written. If you get more detail in the middle, I think it's going to be a winner!
GOOD LUCK! :)
Just a note: Kristan, I second Myrna's comment. The Traveling Pants series was my first thought as I read your description. Good luck! :)
Thanks, Rebecca and Megs!!
I dunno if anyone would be interested in commenting on this, but I've already whipped up a bit of a revision based on all this feedback...
Dear Agent,
I am seeking representation for my commercial women’s novel TWENTY-SOMEWHERE. The manuscript recently won a contest with St. Martin’s Press, and the full is being considered for publication by editor Dan Weiss.
Written episodically, TWENTY-SOMEWHERE tells the story of three best friends as they navigate life after college. Beautiful and confident Sophie, goody goody aspiring writer Claudia, and boy-crazy nerd MJ are ready to take on the Real World — or so they think.
But MJ’s hunky lab supervisor keeps distracting her from her research, and what’s worse, she almost doesn’t care. After years of single-minded focus, MJ may have lost her passion for science, and her sense of self along with it. Meanwhile Claudia’s passion for writing is stronger than ever, but her confidence is drowning in a sea of rejection. Her boyfriend Eli is supposed to be a life preserver, but instead he starts to feel like just another wave pulling her under. Last but not least, Sophie decides to swim against the current: she quits her advertising job in pursuit of a more meaningful vocation. Six weeks later, all she has to show for her idealism is a growing stack of unpaid bills.
As their relationships go sour, their careers sputter, and a few too many ethical dilemmas arise, the girls reunite in Paris, desperate for a dose of the one thing they can always count on: their friendship with each other. But after so much time apart, will that really cure what ails them? Or will their friendship fall apart, just like everything else in their lives?
In 2007 I graduated from Carnegie Mellon University with a B.A. in Creative Writing, and I’m now a copywriter/receptionist at a design firm in Cincinnati. Last June I attended the Kenyon Review Writers Workshop.
If you’re interested, I would be happy to send you either a partial or the full manuscript of TWENTY-SOMEWHERE. Thank you so much for your time and consideration. I look forward to hearing from you.
With warm regards,
Kristan
------
And yes, I left ONE reference to episodes in there. But y'all can tell me if you think it's a mistake, or if it's a better balance between "warning" the agent and overdoing it like I did in my first query.
Thanks!!
See, Kristan, I think that's MILES better! You've given us meat--something to care about. And I think that "episodic" is fine. You did leave out "fiction" though, it should be "commercial women's fiction."
I like it, though! It looks great to me. I think you nailed it.
Thanks, Kiersten!
Time to consult my agent spreadsheet and send a few more out... ;)
Kristan, That sounds really good. I'd be interested in that story. Thanks for sticking your neck out and helping us learn to make our queries better. Great advice Kiersten.
Okay, I'm gonna be picky then.
"Her boyfriend Eli is supposed to be a life preserver, but instead he starts to feel like just another wave pulling her under"
Instead of "starts to feel" just say "feels". Take out the "but" because you're using a lot of them, and structure it as, "Her boyfriend Eli is supposed to be a life preserver; instead he feels like just another wave pulling her under."
Also, you use sea metaphors with the latter two scenarios, but not with the first. I'd change "Sophie decides to swim against the current" to "Sophie decides to go against the grain" or "Sophie decides to abandon the rat race" or something along those lines so you avoid partial-paralellism.
I'd simplify "count on: their friendship with each other" to just "count on: each other." That way you avoid using friendship twice in that paragraph.
Also, "Or will their friendship fall apart, just like everything else in their lives?" I would change to, "Or will their friendship fall apart like everything else in their lives?" because you have several "just"s, and that one isn't necessary. It also breaks up the sentence patterns a bit this way.
Okay! That's all I've got : ) So good, though, Kristan!
Yay for nits! And, haha, "just" is my biggest writer's tic. Thank you for nixxing it.
Okay, changes made.
Seriously, Kiersten (and Michelle, and everyone!) I can't tell you how much I appreciate this. I've gone from seriously nervous (when you first asked me about doing this) to totally jazzed! I mean, so jazzed that I used the term JAZZED! That's pretty... jazzed. :P
I love the title! I'd stop an look at it just for the title.
I want to be JAZZED about my query but instead all I am is hungry. (Maybe the two aren't related?...)
Great job on critiquing Kiersten! If only I could pull you from my pocket to whisper in my ear what to type I wouldn't be so...hungry..??
I love the sound of the revised query, Kristan. Excellent work!
Thanks, Jesse! I'm always a little surprised when people say that, but pleasantly so. :)
Lol, well I'm hungry too, Candyland. But I suspect you're right and they're not related... Thanks!
Kudos, Kristan!! The query is coming along nicely, and Kiersten's edits are great. Isn't it wonderful to have another set of eyes?
Sorry, Candyland, about the food reference. I'm usually munching on Hot Heads while I'm writing.";-)
I've also heard the age group Kristan seems to be writing for referred to as New Adult. Although I don't believe this title has taken off just yet, so women's fiction would work well.
It's SO wonderful, Sheri. :)
Yes, Jess, it's definitely a New Adult book -- in fact, the St. Martins' Contest was for New Adult manuscripts -- but like you said, the term hasn't taken off (nor has the category proven itself) so I've been advised to query it as "normal" adult fiction.
(Little do they know how *not* normal I am... :P)
Maybe Kiersten can clarify this, but I'm somewhat confused on the use of "commercial women's fiction" as the category, when agents freak out if the words "fiction" and "novel" are used in the same sentence (b/c fiction and novel are deemed redundant). So when querying a women's fiction novel, do you call it that, or is that redundantly wrong somehow?
I think it's really amazing that you are doing this. It's helpful on so many levels and I know a lot of people will find countless bits of advice to cling to. So thanks and keep it going!
Nice query and critique!
Kiersten, thank you for defining "query". When I first decided to try to go pro and wandered onto the writing blogosphere, there were a lot of words being thrown around (alpha, beta, query, MS, full, partial) that I didn't understand in the context of writing. Some were easy to figure out, some took a little longer.
It's easy to get into our little writer world and forget that newcomers and nonwriters don't have a clue waht we mean, so thanks!
The Blogger formerly known as Linguista.
http://aclairedawn.blogspot.com
Hotheads, huh? A little sizzle to seduce the brain. I'll have to try that. Then maybe my query will dance along with my taste buds instead of against them. (why do I relate everything to food?...)
And Kiersten, Kristan, or anyone (!)-What categorizes something as "New Adult?"
Candyland-
Short answer: protagonists are in the 18-26 range, dealing with that transitional period of life (going from childhood/teenage years into adulthood)
Full answer: www.guidetoliteraryagents.com/blog/New+Adult+What+Is+It.aspx
Ahh, thanks Kristan. Clarity is something I'm lacking lately so that hit the spot. Much like some food would do right about now. (seriously...)
Kristan, I should just put you in charge of my comments from now on. Thanks : )
You know, if it weren't my dream to be a writer, being your comment moderator (slash personal assistant) might be the next best thing. ;D
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